A third of my life lives far away
A third of my mind only happens in dreams
A third of my life lives far away
A third of my mind only happens in dreams
If moat is a scrabble word
why can't we make dal moat?
Especially since mixture is allowed?
And when chips can be played, why not alu?
On a tangent, if hiraeth is Welsh
for a deep yearning for something
lost or absent, what's Tamizh for
missing paati when you touch a well worn
cotton sari?
Daily
Riyaaz
But it won’t
be for me
I say.
I missed
days of writing
and have catching up
through May!
How do the stems of the roses make leaves
at just the right places, perfectly spaced
and angled and shaped so the plant achieves
a geometry where no light goes to waste?
The peonies have buds on every stem
Ten on Guardian of the Monastery
seven on Spring Carnival. Good for them
but Island Minister has thirty three!
Everything grows fast when the days are long
I dig out the weeds and transplant the pots
but mostly I wonder at all that goes on
The garden in spring takes over my thoughts
perhaps the most modest
but lovely
is having someone
who will water your plants
while you are gone
so that once you have tired
of all the new and wonderful things
home is waiting for you
just as you left it.
Between L4 and L5
A poem is stuck,
Softly cushioning
against
vertebrae of
calcified memories.
Let them not touch
like rusted swords
thirsty for
honour blood.
My lips, are still
pink
with a smile
between occasional
flashes
of electrical pain,
Because between L4 and
L5,
A poem is still
breathing.
Merleau-Ponty said
because we are the beings who stand
we can understand
and because we have opposable thumbs
we can manipulate
because we have speech
we have thoughts,
not the other way round
and because we have thoughts
we have thoughts about ourselves
if we can touch
we are touchable
and from wherever we can see
we can be seen
what we see is not actuality
we see possibility
the cup, there for the hand
to cup it, raise it to our lips
drink
in the inexhaustible world
Nearing midnight
in the shadow of the city
her feet bare
on the still warm concrete
her hair undone and filling
with the scent of water.
as wanting more money, more land
more power? Wanting to possess
this failsafe means of turning less
beauty into more, a hole in the dirt
which the clever rose converts
into silk and velvet and sweet perfume
I covet the dark red blooms
that Vita Sackville West
rescued and loved the best
Some days
your feet will ache
just from standing.
Other days
your head will fill
with a dull ache
because your glasses
sat oddly against it.
This is not to say
that your hurt is not valid
or that you should not
bathe your feet
in warm water
or roll the pads of your
fingers against your
aching skull.
But that pain is so often
unspectacular.
The hand that tends to it
both dispassionate
and soft.
The arrow can't fly through the air
the fast runner will never catch up
All Cretans, they tell us, are liars
the barber will only shave that chap
who doesn't shave his own hairy chin
and that unnameable thing has been
named, 'unnameable'. And if the stars
are infinite, why is it so dark?
Once these are perused,
who isn't confused?
the joints
between them
give way
for a clean
pulling apart.
A cleaver
to the heart.
said a little boy
inhaling
the aroma of
his plate
of food.
Gleeful of
a new
sensation,
triumphant
for having
a word for it.
Roast
dry red chillies
I prefer byadige – the
shrivelled ones that are
less spicy – and roast
the udad dal and if
you are the kind that
goes rogue on tradition
add some chana dal and
roast with lots of heeng
and a flake or two or of
tamarind – all of which
goes into the mixie jar - soon
to be joined with grated
coconut (here, I personally
prefer the moist and milky kind)
and – blitz-blitz pause
blitz-blitz-blitz it together
no, no, no – not a drop of
water, no – that will make
your thogayal stray towards
a whole different identity
no, this one has to grind in its
own juices and the salt – oh
I didn’t mention the salt – that
will bring some ease to the mixie
blade, valiantly trying to decimate
the contents into a new whole
that will be much more than
the sum of its parts – a red
coarse, fiery looking but finely
balanced (remember byadige?)
half podi, half thogayal
that will remind you of women
from your childhood who
ground life’s challenges into chutney
for the whole family to relish.
Endless days
futile, cold
smoky grey
cigarette
scorched fingers
smell lingers
worn cliches
death foretold
we forget
easy come
easy go
hold on tight
one more night
4
days to your birthday
12 days to your first death anniversary
I go through our whatsapp chat and see that
we met at Ranga Shankara on 24th Aug 2023
Both of us didn’t know that would be the last.
We managed to get a picture together.
Reading our messages to each other
I remember so much of what we talked about
that evening – how we celebrated some things
mourned some things, ranted about other things.
I remember how, at another meeting, we realised
the exact same moment – while browsing
a textile exhibition at the National Gallery of Modern Art
that we both love kolams and kalamkari!
The way our eyes connected and we smiled
with pure delight! I think back of the long
long, long chat we had that day till someone
working there came and took a picture of us.
Maybe we had looked like we’d grow roots?
I think back now of the song you had asked for
that evening at Ranga Shankara that I forgot to send.
It is too late now, no?
I go back to our whatsapp chat.
We chatted once each in October and November 2023.
In January and February and March of 2024 we spoke
of meeting when our schedules would permit.
What do schedules know or care of disease and death?
I wish we’d not heeded them.
On 25th March, 2024, we spoke of nirvana – after I’d
returned
from my first (and maybe last?) spiritual retreat.
“Nirvana seems very lofty,” you said, hastily adding
“not that one should not aspire for nirvana.”
We spoke of Daily Riyaaz – our yearly sojourn
of writing poetry with our favourite community of poets.
We soon wrote and read and commented on poems on the blog.
On 22nd April, you called off our meeting in the
last minute
speaking of a “scratchy throat.” On 29th April you had got your
diagnosis and did not reply to my birthday wishes.
While you were in Ghana in March 2024, I was getting
ready to go to Auroville, remember? This year, again
in Auroville around the same time, I saw the steps we had
all sat on together in 2016 – where we’d gotten a picture
with a famous poet. Those steps will always speak to me
of you, Indhu, as will kolams and kalamkari.
Even after the way death has slapped the skin off my face
I sweat the small things, Indhu.
I miss ranting about and celebrating life with you.
I used to think we were evolving
going forward, getting better,
reaching some higher ground
from where we'd look at where
we'd been like parents look
at children
Now I know we're in a place
of no directions
We move, because that's what beings do
not because we know the way
go forward only because there is no way back
and better is relative - who has ever made
anything better than Bach?
We only find out where we are
on the path we make by walking
Peace
on earth would be the way, imagine
Shades of green overgrowing grey, imagine
Children – laughing and singing under the sun
climbing trees, learning through play, imagine
People using their hands to make things
baking bread and kneading clay, imagine
As many people as seek to find their god
so many entwined paths to pray, imagine
Charu khepi is mad - don’t listen to her
but if all this happens one day, imagine
Note: Seeking solace from violence and cruelty, a group of dreamers I sing with every morning, explored the song 'Imagine,' co-written by John Lenon and Yoko Ono. This ghazal stems from the simmering of that song within, and from the experience of singing it with people who still dare to dream, hope and work for a better world.
Blood sindhoor flows
Rivers have been
red
forever…
Sleep tries to wear
a bulletproof vest.
Amputated hopes
ache
in search of limbs.
Bullets pierce
names…
It curdles
everywhere,
fermenting in
veins,
spilling on tulips.
Faces drained pale,
Earth dyed red.
This canvas is
painted
all wrong…
Heaven weeps.
It has waited so
long
to descend.
Earth weeps.
It has waited so
long
for heaven.
No heart is ready.
Birds have changed
their songs.
Beaks of sparrows
foam
With the venom of
battle cries.
Everything hurts.
Rose oh pure contradiction! Voluptuousness of not being
the owner of anyone, under so many gazes
Rilke
No rose that in a garden ever grew
in Homer's or in Omar's or in mine
is ever not intoxicating, fine
of form whether old garden rose or new
hybrid bred to be chartreuse or blue
The classic reds and pinks will still outshine
other flowers, with fragrance, almost divine
the sweetest distillation of earth and dew
Reine de Violette, Dainty Bess, Ghislaine
de Feligonde, I'm their willing slave
as long as they bestow, once in a while
blooms that satiate the eye and I'll smile
when pricked by thorns, if in this world of strife
my path is strewn with petals all my life
(The first two lines stolen from Edna St Vincent Millay, who went off on a tangent in her sonnet)
To scrub at a stain in the cloth
is not to know that it will fade
but to rub it between your fingers
again and again
as you were taught by someone
who was taught by someone
who once made a soiled thing clean again.
খবর পেয়েই যাই
That forest where the tree falls with no one
to see or hear or jump out of its way
Is it the same place where some person
is dancing with no one to watch? Or may-
be the one hand clapping is for that dance?
Also that cat that Schrodinger said
is in the box, but you can't take the chance
in case the act of checking makes it dead
And Achilles too, covering the ground
incrementally, Despite his renown
behind the tortoise. Here those stairs are found
of Escher's, that you go up to go down
When I meditate on any of these
I'm reminded that I'm no Socrates
that it is not in the blooms.
Those, like fruit,
are meant for the outside world.
Gifts, you could call them
or missives.
The leaves, too,
are disposable.
Falling often and quickly
only to be replaced by
younger contenders.
No, it is some deeper place
some invisible point
beyond which
there is not enough body
to resurrect.
Standing before a houseplant
one hand on a sharp instrument
the other on a stem
you must draw
from some buried instinct
to decipher where
the life of a thing resides.
The pen, the ink, the paper, white, unlined
no footprints on the field of snow, until
some beast leaves its tracks, or some other sign
feathers, drops of blood, old skin. Sometimes it's still
silent, moves no muscle, I'm not sure
am I hunter or hunted? The words obscure.
to do handstands.
Throwing her body up
against the living room wall.
Feet go above knees
above head above hands.
Her limbs learning new arrangements
new ways of togetherness.
This is no time to think
of falling
to hope for the world to be
righted and for you
to return to it unscathed.
Now only certainty
only faith.
My sister throws her legs
into the air.
The body does
what it is trusted to.
Long drives they used to call them there. Road trips are what they call them here.
What once was and what now is -- both are home. Music is a trusted bridge
between the two worlds. The car moves through summer's irrepressible verdure,
through Tilsonburg, Thorndale, Stratford, past cardboard signs selling strawberries
and fresh eggs, honey and fat peaches. So much to see and yet the ear yearns to hear.
Start your playlist. Tibetan flute at first -- Nawang Khechog's aural notes that both
awaken and still, opening the folds of your mind. An unfolded mind seeks some
mischief, so switch to gypsy guitar music. Make your senses trip the light fantastic
while looking at yet more green -- swaying fields of corn and soy, rows and rows
of cabbage and cauliflower. Yours is a caffeinated head now and there can't be
any looking back. Play Qurratulain Balouch on a loop. Swing to the bounce
and husk of her voice, notice the car picking up speed, zipping through the
highway as you drive towards her live concert. Listen to her sing of humsafars,
fellow travellers who shared the road but couldn’t sync their minds, of a
lover’s deceiving heart, of shedding suffocated tears like salt does in dough.
On the long drive back home late in the night, bite into the ice cream cone you
bought at the concert venue, and rewind. Stay ensnared in the dark clouds
of QB's hair, her domineering presence -- on the stage or off it, her
electric performance. See how the there and here, then and now all melt into
a circuitous jigsaw.
for where
you belong permanently.
Pinned on
a corkboard
outside the
old
kindergarten
classroom.
Hidden on
the dusty floor
under the
kitchen table.
Crouched behind
curtains.
Bent over books
in libraries.
Waiting at
the
bus stand,
the train station,
the
airport.
In houses
of friends.
In rented
homes
with no
permanent address.
and as many seasons
of writing of you.
With each I have watched my love change.
From grief to longing
to an uncertain pastness.
Perhaps this year will be the last.
A quiet ending
for a quiet love.
I cannot promise this
any more than I can tell you
how many poems you must write
before there is nothing left to say.
Dawn comes earlier every day
earth now tilting sunward
by 23.3 degrees. Each ray
formed at our star's core a hundred
thousand years ago, ricochets
to the surface, light-speeds through
space to earth, to fill this holy day
with old light, sky that ancient blue
Titian used just for Mary's robe
lapis ground to dust. After that long night
at dawn they found the empty tomb
He said 'I have come into the world as light.
I was friendless for a long time.
Holed up in an empty house.
Head down over a discoloured plastic-cased PC monitor.
Phone calls ceased. Songs lammed my jammed throat.
You could label no-decibel, a quiet life.
Except, that quietude had no peace in it.
Only a zillion pieces of decaying sadness.
I was in hiding. From the world. From myself.
Friendship was a possession for happy people.
The ones who celebrated inebriated.
The ones who danced even after the music stopped.
The ones who got hitched and got others hitched.
Notice how they say all is fair in love and war?
Because nothing's fair in heartbreak and defeat.
Only bats and plaster-peeling terrace walls stay with you.
Your echo. Your location. Fixed. Unchanging.
In my middle age, the hesitant river of my youth
coursed back into its bouncy childhood.
I found friends like a tree does new birds.
The bats became butterflies.
My feet found their springs, rusty yet working.
Still flexing. Still releasing.
Across terrace maps, laughter rolled into echoes without decibel limits.
I was friendless once.
Now I'm gloriously friendful.