Thursday, April 3, 2025

Relief

(For Avani, who writes soft poems)

The inside of a soft poem

is the face of a woman

holding, in a practiced grip,

the handrail by the open

door of a local train

soothed by the wind on her face

eyes closed, as if asleep.

 

The inside of a soft poem

is the grip of anxiety

on a co-passenger’s heart

worrying she might fall.

 

When the train halts

she alights unaware of a

stranger so relieved

as can only be

the inside of a soft poem. 



Read Avani's "evening train"

Wednesday, April 2, 2025

Unfettered

Often my thoughts cling to you while
the dailyness of the days sweeps through 
my being holding on to you for land-
marking of life events one could say 
that whatever is recognisably me is you
holding on to my being as toes claw into
beach-sand for it to not be taken away
by the wave which is not as much to save
the sand from the fate of the ocean bed 
which would have returned it anyway but 
to save the whole of this self from being 
sand-splashed and water-hoisted in this
sea of time wondering where 
does it end which tide 
is night which wave 
is day

- Kartikay 

After W S Merwin's Here Together

minor injury

 

A familiar pain is a smaller pain

just as a known enemy is 

a vanquishable one. 


Memory protects the body.

You endured this once.

You will endure it again.


It is in the unknowns.

The shadowy contours

of some fresh threat 

that suffering truly begins. 


Perhaps this too 

is a minor injury. 


You will only know next time.


I Wanted to be Surprised

 I Wanted to be Surprised
after Jane Hirshfield
 
“To such a request, the world is obliging.”
But what if you’re not open enough
to the surprise, or all you seem to experience
are surprises of the negative kind?
 
An in-your-face physical ‘NO’—
crossed arms, creating distance
between you & the Japanese.
 
The ubiquitousness of the white-shirted,
black-suited salaryman, surprisingly
spotted at a hanami party, or falling asleep
on his Pokémon Go before his
10:00 p.m. whiskey arrives at The Good Man Jazz Bar.
 
What was pleasantly surprising:
 
The paintings in metal under my then-brand
new Muji canvas shoes, depicting
each city proudly on each manhole cover. See,
beauty exists, if
only we’re willing
to look.
 
The kindness of random folks on the street
who were not up-in-their own
heads and chose to engage with my
Google Translate Japanese with their
own broken English.
 
The surprising joy of keeping
(a tiny) house, even if not
my own, trying out recipes
that hadn’t been touched for years.
 
The woodland paths that opened a new
world beyond the torii and temple
that was advertised on the map.
 
What should not have been surprising:
 
The sadness & regret of not
exploring those paths deeper, to the secret lakes
that existed higher up,
The symmetry of those paths & secret
lakes—as yet unexplored—in these white
mountains we now call home. Hum
honge kamyaab ek din.
 
Me succumbing under the damp, dark cloud.
 
All the words that flowed thanks
to the sensory overload—the woods,
the temples, the cafes, the sea,
not to mention Surakoen next door;
all the effing paper signs that hurt
my eyes & brain in the train,
the cornershops, in the goddamn streets.
 
The second-hand book stalls where I couldn’t
find a thing to read in English,
               All the Japanese-in-English book
piracy that then ensued—learning about Kokoro
& Mishima & of course Masks by Fumiko Enchi.
And so much Basho & Issa. Haiku zindabad.
 
The fact I didn’t go see live kabuki,
went to see noh on my own—
What a fabulous day that was: walking
with my camera, to the public library, the theatre
in the front row, coming out to a
brewing storm, the sky
the colour of van Gogh’s blue—
rainy, grainy shots of Kobe’s hilly city lights
the red Kobe Tower & Harborland,
the rush to buy hot naan from the Nepalis & share
dinner with you of the most delicious rajma
I’ve ever made. Were they delicious
because they’d been stewing
in their own juices all day, marinading,
flavours fusing, or because I’d filled
my day out of the quiet house and
got home cold & wet & hungry?
Does it matter?
 
I should not have been surprised
by my own withdrawal.
What did surprise me was the concern
& efforts of friends to stay in touch.
 
What no longer surprises me is
that I am loving and loved,
first and foremost, by myself.

A List of Terrible Metaphors for Another Situationship

A jigsaw puzzle where the pieces aren’t made to fit

A bowl of dal microwaved, the bowl hot, the dal isn’t

A book where the love interest dies mid way and it’s too late to put down

The last lighter in the house and its fuel has run out

The point in the party when all the mixers have finished

Watching a film that keeps stopping because the internet is not willing

A national holiday falling on a Sunday

A week where every day is a Monday

Putting an alarm for 8 hours later but you wake up after 6

Something that seems like magic turning out to be a trick.

Tea and Kundalini

Coiled power.

Disguised, invisible.

Only the adept can touch

the true essence.

Content to hibernate,

it rests without waiting.

Only nucleus secrets in atoms,

understand what can happen –

or not.

The powers of

Water and Fire,

Ida and Pingla,

Yin and Yang

to meet and merge.

The brew of creation

is about precision.

The right hue

plucked from a rainbow,

The secret kiss of the dew drop

merging in the liquid fire of love,

to tame the bejewelled light that rises

to release a terrible delight.

A miscalculation can ruin

a miracle,

Hold back the knitting of

gold and silver.

But when science becomes art,

yoga becomes love,

We are ready for

tea and kundalini.

 

- Harvinder

everlasting city, everlasting heart

 

walk ahead. the vastness will swallow me

windows unfurl sun into empty harems.

making a wish, consuming some apparition of a glorious past.

maintain me. keep me from decay. touch me where a thousand have before


reading statistics - there is 6400 times more fecal matter than the recommended limit in the yamuna under the taj mahal. i suppose some fecal matter is always recommended in river water


walk ahead. i’ve got calluses that nothing can repair 

we’ll find passages of survival, ways to ride out the impasse

when the morning sun squints down on the sandstone tower

we need a benevolent emperor to kiss us alright 



written on a trip to agra


NOCTURNE 4

Night isn't a boulder to drag or

be dragged by. Night is night, cold,

withdrawn. It feeds me bones of primeval

loneliness. I recoil in bed, the fetal

my fragile defence. Mazed limbs scrounge

for warmth in a dark cave. Through tarred

tunnels, mysterious as touch always is,

skin heals skin.

Warm drops of fever rain on me.

Your hand measures my heartbeat.

origami

when we wake
we stretch, releasing
towards the kitchen.
we undo sleep's creases
and press ourselves
into the day brewing

I think of how soon
we will reach
and not find these walls
in which we have taken shape

I wonder how it will feel
to unfold elsewhere:
new borders, knocking corners,
edges unknown,
lines we are still learning

we will cut future
patterns, bracing –
fashioning cranes
to build afresh

It is always the flesh

The path of true love
and all its impediments. 
Way too much direct sunlight
leaf-scorching heat.
Monkeys.

It should be a no brainer. 
To sprout seeds, nurture saplings, 
hydrate, aerate, fertilize. Unfailingly 
admire, sing even of your great 
love to be returned in
stems, leaves, flowers and fruits -
fleshy, abundant. 

But it was never the brain, 
it is always the flesh. To want what is hard to get. 
To toil fruitlessly to be the beloved
of plants. 

Mother

She's looking to the right and down

beyond the frame

and smiling

I can't make her turn

or see where her hands are

Maybe she's just said what she always used to say

In the land of the blind 

the one-eyed man is king

when I was young and she was old

Now I am old and she's stopped time

in gold sari, hair not grey

Maybe the one-eyed man is kind


I will not lean

The end of March and onset of April,

I met you a year back but

Maybe I had known you since ages.


Told to stay away,

I suppose they knew the best.


Now I am in this place I have been before,

Like proton and neutron,

Close but never enough.


Might be the neutron who has to see you,

Attract and mingle with the electron.

Too much science,

Too much heart.


That day close by,

You by my side,

I would have leaned.

But I did not lean.

No fusion possible here. 


I shall be like the Sun.

Sharing the same sky,

Yet seeing you with other stars.


Maybe this is more sincere

More kind

And more than love that could ever be.

Thus, I will not lean.

evening train


As her station nears 

a woman rests her temple against

the slim edge of the train door. 


Outside, the blur of nighttime.

Inside, closed eyes and a 

practised hand 

around a metal rail.


Some day she will slip

into the other side of this place

between rest and falling. 


For now only this

brief pause

on the long journey homeward.

 

Tuesday, April 1, 2025

Returning to your house today


it looked exactly as it did before,

March sun falling on its steps

bougainvillea by the gate. Inside, I gravitate to your room. A rocking chair

sits where you would have been

and the room doesn’t smell the same

anymore.


The sky did not crack upon realising

These sights did not gnaw at me.

No columns of gloom hung over the house.

Your room a living museum

though many of your things have been removed.

Sun slanted quietly on the rocking chair.

I felt only the fond, sad pull

towards you, wherever you are.


How to listen to Saheb

At the emergency meeting of the sants, 
they didn't bother to decide on much 
of the worldly details, or if time was 
to be kept? Whose time, 
if yes? One could worry 
about the unstitched cloth 
on most, not keeping warmth;
if this room too had a want of fire. 
Then Kabirdas, suddenly looked at Babasaheb, 
as if in the midst of a thought, and asked: 
Bhim, howcome you stopped 
at just one? 
Who will burn the rest?

- Kartikay (1/30)

After Martin Espada's 'How to read Ezra Pound'

aquatint

aquatint
big magic, it feels like is
aquatint -- follow your curious
brain wherever 
it goes, lean
into the vast abyss, blue
and grey and even turquoise
of the secret waterfall, sometimes
completely clogged
up, like our brains, high
on the rush of too much
activity, seeking connection,
praise, loyalty, love - tints
of not aqua at all; not coloured
by the rivers and the lakes we
are no longer used to, that we
are definitely not doing our best
to save. instead, dopamine
hits those flashes
of silver, or maybe i 
mean blue ticks there,
those are aqua, a bit
of tint in our monochrome lives.
 
my life really isn't monochrome,
no, sirree. i wake up each day
to the green parakeets 
screeching over the songs 
of the blue whistling 
thrush, as the sun's rays 
hit the tops of the white
mountains, that moment 
of peace before i begin to view the 
dhauladhar colour-blocked
by the growing sun's light--
falling symmetrically, 
like clockwork, in a pattern 
already worked out, day-in, 
day-out, dividing the 
mountains into 
four shades of golden.
 
the orange & yellow & pastel dusk
pink journals i write in, offer
a kaleidoscope of 
colour against the black
plastic of my work
notebook. this
pencil may not have 
any aqua or tint, either, 
but the black & red
stripes topped by a teeny 
round white strip for sure are
an integral part of my landscape
growing up.  what is the 
tint of nostalgia, beyond 
 
the cliched tones of 
sepia? like for so many 
of a certain age, the spectrum
ranges from the warmth of bauji's 
white loi worn at lohri to the cool
yellow-orange & sweet pink of 
summer's mangoes & tarbooz, 
& then the lush green of 
neem dancing in the
monsoon. golden 
autumn light of european
summers ending came 
much later. so, yeah,
thank god for the fact
that my life sure is
filled with colour.
 
April 1 | Day 1 poem written in response to the NaPoWriMo prompt of selecting a new-to-you word from an art glossary; the word I chose was "aquatint." 

Preparing the Soil

Remembering from no memories I consciously have 
I prepared the soil. 

Beating clumps of mud from dead potted plants, scorched by the 
ghastly heat of the summer’s sun. Pulverizing back to powder, mixing with
rich, black, moist compost, I prepared the soil. 

I prepared the soil to start all over again. 

This time planting desert roses. 

Feeding on the dry heat of a heartless sun
they let their hearts flower on their skin.

 


SILENCES

Heat is personal. 

Marriage has taught us this. 


We both adjust 

the temperature on our 

individual mattress side. 

You open your book, a Flaubert novel, 

I, mine, a short story collection. 

Our pages tease each other;

an exchange we can’t read.

Silences are even more private than heat. 

This, we’ve known from years of staying 

together in marriage.


Our bodies surrender to the night,

its quilt simmering spent up,

oblivious flesh. In embrace, 

I feel your limbs move, feet twitch.

An excited choke escapes your throat.

Where are you though right next to me. 


Are you meandering through a 

Central Asian souk or could you be

chasing penguins in the arctic. Did 

you wander off with your favourite poet

from Pakistan, long dead, to argue 

that his evening of sorrow isn’t long, 

it’s interminable. 


I flounder in my search. 

You don’t remember your dream. 

We’re lovers who know each other 

inside out.

Yet this inscrutability. 

These insuperable shores of our dreams.

 

And yet.